“The stars incline us, they do not bind us.”
Hello! I am Orion, the creative mind behind the gay fantasy novel series Twilight of the Gods. My passion for writing cannot be overstated, having gotten my start as early as ten years old. I used to spend my childhood chasing castles in the air to distract me from my rough upbringing and what had begun as a simple pastime eventually evolved into an irreplaceable dream that I want to bring to fruition no matter what. I’ve poured countless hours into the production of this wonderful story and I consider it to be a fragment of my very soul made manifest. The characters are like extensions of myself and their stories of contending with fate and finding personal freedom deeply resonates with my personal situation and has acted as my wings of hope ever since that lonely, friendless child first picked up their pen and let their imagination flow.
I can be a bit obsessive when it comes to my works, and I may or may not have hundreds of thousands of words dedicated to my notes alone, but it however grueling the process— debilitating tendonitis included— I will never regret committing myself to this path with the hope of one day sharing my hard work with others one day. It has been a long road to get here, and I’m certain there will still be hiccups, but I have no intention of faltering any time soon— not until I can finally bloom into something I can be proud of.
I am also the lead writer of Death of Fiction, a death game story largely inspired by the Danganronpa franchise! It is my humble side project borne of my longtime appreciation for the series, and updates will be less frequent, but if it’s something you think you would be interested in, I implore you to check it out! All of the currently available chapters will be uploaded for free on my main website as well as on ArchiveofOurOwn!

In the Nine Realms of Eden, all life began with the germination of the World Tree.
And from its infinite branches sprouted the origins of humanity.
However, it was said that the world at the time was yet a lawless primordiality, desperate for structure. Humans warred endlessly and without consequence, souring the fresh soil with innocent blood. Slaying, bisecting, and consuming their brethren for power. It was only when the few remaining faithful cast their fervent wishes to the World Tree that the true first deity was born, snipped from the highest and purest bough, representing the dreams and hopes of a dying civilization.
The world was gradually restored under this god’s purview, and a great epic in the form of the genesis of the momentous Halidom of Elysia created a safe haven for men and their creators to walk hand in hand in picturesque harmony.
Elysia’s reign did not last forever as anticipated, though. The original god was betrayed and their bones were used to empower mankind with immeasurable magic. The “Divine Source,” as named by the alchemists of today, leading architects in its study and sublimation.
But after the hapless war that resulted in the deaths of thousands of gods, only one remained to mourn their slain kin and maintain the balance in the cosmos in their stead. Sirius, the “Great Mediator,” disseminated their kin’s blood among the common people, birthing pantheons of gods anew— referred to and worshiped as “Principalities.”
A thousand years have passed since Elysia’s descent, and the Great Mediator has grown disillusioned with their long-established mission, confined to the Upper World in their isolated tower of Arcadia. To cope with witnessing the unending hate of humanity, they segregated themselves in twain, planting their undesired emotions in their successor, the “Prince of the Stars,” Astrophel.
Astrophel, however, bears the brunt of his predecessor’s longing, desperate to escape the illusory confines of Arcadia and walk upon the Lower World alongside his beloved humans, who he has only come to admire from a far distance thanks only to whispers and tales. It isn’t until the treacherous Principality of Asteros, colloquially named “His Excellency, King Canopus,” slithers into Arcadia’s stainless grounds like a conniving serpent and tricks the naive princeling into murdering his predecessor to secure his escape to freedom— only to be abandoned by Canopus and flung from the heavens like a fallen star.
By some stroke of kismet, Astrophel lands in the arms of the young, blessed prince of the mighty Kingdom of Igerene, descendants of the Elysians, and thus begins his long journey to contend against his twisted fate, confront his regrets, and protect the new world that he has come to love.

In the years following a great calamity that nearly brought humankind to its knees, an organization called the “Asylum” rose from the ashes of the old world to lead humanity down a newfound path of revolution— or so their slogan suggests.
The Asylum, founded by the long-established and affluent Fujioka Clan and co-owned by Shibasaki Pharmaceuticals, is a multimedia entertainment company chiefly known for sponsoring and helping young and aspirant artists and entrepreneurs build their portfolios and establish their desired careers with their cutting-edge curriculum. Otherwise, the “Talent Revival Program,” devoted to sowing the seeds of humanity’s future leaders in the form of the “Chosen.”
Kiyoshi Fujii is a young artist who has suffered immense hardship in his past. After having left Japan to reestablish himself in a college in Chicago, a combination of his creeping past and debt encourages him to accept the invitation from his old classmate and current master of the Fujioka Clan, Ren Fujioka, and set aside his inherent distaste for corporations in an attempt to rebuild his career proper and support his friends and fellow Chosen, who were also cordially welcomed to come to their campus in Yokohama to attend the orientation.
However, after a mysterious assailant plants sleeping gas at the scene, Kiyoshi ends up finding himself in an unknown mansion with sixteen other students, including his aforementioned friends with no sign of escape.
“Unless,” their heavily-armed abductors and self-declared “benefactors” claim, “You can successfully kill one of your classmates without being caught.”
Death of Fiction is a death game narrative largely inspired by the Danganronpa series, but features its own unique setting, lore, and a cast comprised entirely of adult characters.
Death of Fiction contains disturbing themes that may not resonate with some audiences. Please thoroughly review the content warnings before starting. It is advertised as an 18+ story, so tread with caution.
Death of Fiction is in no way sponsored by Spike Chunsoft nor the original developers of Danganronpa.
Interested in early chapters, behind-the-scenes content, and any additional projects Orion is working on? Consider joining the official Patreon today!
Commissions are open periodically with announcements made via Twitter and Tumblr. Some examples of work include fanfiction, character studies, and much more!